2017 Lincoln Mark LT

The 2017 Lincoln Mark LT is coming back, according to latest rumors. This model was in production between 2005 and 2014. During this period, we saw two generations of it. Original model was offered in North America and Mexico, while second generation of this luxury truck was available only in the biggest country of Central America. After few years of brake, company is going to offer this truck once again. New model will once again come based on F-150, but it is still unknown where will be offered, just in Mexico, or also in U.S. and even Canada.

2017 Lincoln Mark LT redesign

lincoln pickup truck 2016

The 2017 Lincoln Mark LT will come completely new. Once again, it will be based on company’s best-selling model F-150. This truck will be some kind of luxurious package of this iconic truck. Mechanical part of the truck will be pretty much the same, while main differences will be in visual aspect. Exterior design will be in classic Lincoln way. It will follow the latest design language of Ford’s luxury division.

2017 Lincoln Mark LT interior

However, most of this truck is about interior. Compared to F-150, 2017 Lincoln Mark LT will come much more luxurious. This will be notable in all aspect. It will feature stylish and elegant cabin, with leather upholstery and various hi-quality materials. Also, there will be plenty of hi-tech features. We will mention just some of them. For example, there will be things like large touchscreen, which will feature systems like navigation, satellite radio etc. Also, we will see premium audio system, power and heated seats, leather-wrapped steering wheel etc. the 2017 Mark LT will be not only luxurious, but also practical. It will be offered with two bed sizes – 5.5 and 6.5 feet long. Also, expect spacious and comfortable cabin with plenty of space both for the legs and head.

Lincoln Mark LT interior

2017 Lincoln Mark LT engine

It is expected that 2017 Lincoln Mark LT will get a new engine. Previous model was powered by 5.4 liter V8 engine which has max power of around 300 horses. Exact engine for new model is still unknown. There are few units possible. For example, some predict that 2017 Lincoln Mark LT will continue with V8 engines so, 5.0 liter Coyote could be a perfect choice. On the other side, many experts predict that Ford will choose some more efficient, economy oriented V6 EcoBoost variant. In any case, expect more power and better economy, compared to previous model.

Lincoln Mark LT engine

2017 Lincoln Mark LT release date

The 2017 Lincoln Mark LT is expected to come later this year. More precise date will be known in near future.

Ford F-250 Super Chief design and specs

After ten years since the first presentation, 2018 Ford F-250 Super Chief ultimately supposed to appear on the market. Although it is plan for the end of this year or early next year, considering that mass production has not yet started, we assume that will be available in the second part of 2017. Based on the Ford F-250 Super Duty, is characterized by lightweight construction and innovative lighting technology. With the launch of this model, the company is trying to take precedence in the context of super duty model, competing with new GM Heavy Duty, Ram, Toyota and Nissan cargo models.

2018 Ford F-250 Super Chief design and specs

The chrome three-bar grille inspired by the railway locomotive. Built is a large company logo, emblem of “super chief” at the top of the engine hood and massive chrome bumpers. Mounted rectangular dual LED front headlights and rear full-width LED headlights. Also, there are two pairs of chrome exhaust pipes and a glass roof at full size. It has an extremely luxury and comfort in the cabin, with by far the most space in relation to its competitors. When making were used brushed aluminum and American walnut. Noticeable are significantly move apart brown premium leather seats and wooden floors. Also, a built-in multifunction steering wheel lined with soft leather and possibly dual-zone automatic climate control. Integrated 8-inch touchscreen in the center console, several smaller TFT screen on the instrument panel, as well as two large LCD screens for the rear passengers.

It will probably be somewhat higher than the F-250 Super Crew, which has the following external dimensions: length 263 inch (6680 mm), width of 79.9 inches (2029 mm) and height of 79.8 inches (2027 mm). Built-in 24-inch wheels flares house. Wheelbase shall not be less than the 172.4-inch (4379 mm). Also, has the four-door (opening cons), designed to accommodate 2 + 2 passengers. Weight will be slightly less than 8,000 pounds (about 3,630 kg) of towing capacity of at least 10,000 lbs (4536 kg).

2018 Ford F-250 Super Chief engine

2018 Ford F-250 Super Chief will have a drive on three types of fuel: gasoline, ethanol or hydrogen. According to available information, it will probably have a 6.8-liter V10 tri-flex fuel engine. This engine will have 550 hp and 400 lb-ft (542 Nm) of torque. Available rear-wheel drive or all-wheel drive, combined with a 6-speed automatic transmission. The maximum speed will be the limit to 180 mph (290 km/h).

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2018 Ford F-250 Super Chief price

Official information about the price of 2018 Ford F-250 Super Chief has not yet been publish. We assume that the basic model to cost between $ 65,000 to $ 72,000.

Hot ACtress Images And Photos

Following India's independence, the amount from the late Forties to the Sixties is regarded by film historians because the "Golden Age" of Hindi cinema. a number of the foremost critically acclaimed Hindi films of all time were made throughout this era. Examples embrace the Guru Dutt films Pyaasa (1957) and Kaagaz Ke Phool (1959) and therefore the rule Kapoor films Awaara (1951), Shree 420 (1955) and Dilip Kumar's Aan (1952). These films expressed social themes chiefly managing working-class urban life in India; Awaara bestowed the town as each a nightmare and a dream, whereas Pyaasa critiqued the unreality of town life. a number of the foremost far-famed epic films of Hindi cinema were conjointly made at the time, as well as Mehboob Khan's Mother Asian country (1957), that was appointed for the honour for Best Foreign Language Film, and K. Asif's Mughal-e-Azam (1960). Madhumati (1958), directed by Bimal Roy and written by Ritwik Ghatak, standardised the theme of reincarnation in Western popular culture. different acclaimed thought Hindi filmmakers at the time enclosed Kamal Amrohi and Vijay Bhatt. sure-fire actors at the time enclosed Dev Anand, Dilip Kumar, rule Kapoor and Guru Dutt, whereas sure-fire actresses enclosed Nargis, Vyjayanthimala, Meena Kumari, Nutan, Madhubala, Waheeda Rehman and malar bone Sinha.

While commercial Hindi cinema was thriving, the 1950s also saw the emergence of a new Parallel Cinema movement. Though the movement was mainly led by Bengali cinema, it also began gaining prominence in Hindi cinema. Early examples of Hindi films in this movement include Chetan Anand's Neecha Nagar (1946) and Bimal Roy's Do Bigha Zamin (1953). Their critical acclaim, as well as the latter's commercial success, paved the way for Indian neorealism and the Indian New Wave. Some of the internationally acclaimed Hindi filmmakers involved in the movement included Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani, Shyam Benegal and Vijaya Mehta.

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Ever since the social realist film Neecha Nagar won the Grand Prize at the primary port festival, Hindi films were ofttimes in competition for the Palme d'Or at the port festival throughout the Fifties and early Nineteen Sixties, with a number of them winning major prizes at the competition. Guru Dutt, whereas unmarked in his own time period, had late generated international recognition abundant later within the Nineteen Eighties. Dutt is currently thought to be one among the best Asian filmmakers of all time, aboard the a lot of noted Indian Bengali film producer Satyajit Ray. The 2002 Sight & Sound critics' and directors' poll of greatest filmmakers hierarchal Dutt at No. seventy three on the list. a number of his films area unit currently enclosed among the best films of all time, with Pyaasa (1957) being featured in Time magazine's "All-TIME" a hundred best movies list, and with each Pyaasa and Kaagaz Ke Phool (1959) tied at No. one hundred sixty within the 2002 Sight & Sound critics' and directors' poll of incomparable greatest films. many alternative Hindi films from this era were additionally hierarchal within the Sight & Sound poll, together with dominion Kapoor's Awaara (1951), Vijay Bhatt's Baiju Bawra (1952), Mehboob Khan's Mother Bharat (1957) and K. Asif's Mughal-e-Azam (1960) all tied at No. 346 on the list.

Gunman in Oregon college shooting executed classmates, saying 'I'll see you soon'

Rand McGowan stayed still amid the gunfire.

The 18-year-old was in the writing class where a killer opened fire Thursday, killing nine at Umpqua Community College in Oregon's deadliest mass shooting.

McGowan told family members that the gunman didn't specifically target Christians but asked them about faith. The shooter, apparently planning to die during the massacre, told students: "I'll see you soon" or "I'll meet you soon."

McGowan's mother, Stephanie Salas, shared her son's account Friday. The teenager, one of triplet boys, was shot in the right hand and released from Mercy Medical Center in Roseburg.

McGowan heard gunshots before he knew what was happening, his mother said.

The 26-year-old gunman, Christopher Sean Harper-Mercer, told everyone to move toward the center of the room.

"The shooter would call a person: 'You, stand up,'" Salas said, recalling what her son told her. "And then he would ask them if they were a Christian, knew God, or had religion. And it wasn't like it was stated on TV. It wasn't about that he was just trying to pinpoint Christians, no."

The shooter would tell them it wouldn't hurt.

"And then he would shoot them," she said.

McGowan told his mom he kept his head down among students crouched in the middle of the classroom, didn't move and just tried to avoid looking at Harper-Mercer.

McGowan isn't sure how he got shot, she said. The gunman deliberately picked some people to shoot, but also sprayed bullets randomly, he told his mother.

At one point, Salas said, McGowan heard the shooter tell someone: "You, with the glasses, stand up."

His friend, Lucas Eibel, wore glasses and was among the students killed.

The shooter singled out one person in the room to live, McGowan told his mom. "I want you to be able to tell the cops about me, or something like that," Salas said of the directive.

Finally, at some point, the shooting stopped.

Police exchanged gunfire with the shooter and he was "neutralized," Douglas County sheriff's officials said.

McGowan told his mom that he saw the gunman dead on the classroom floor, perhaps from a self-inflicted wound to the head. He didn't see the shooter turn the gun on himself, she said, but he did see the body on the ground.

Students in the classroom recovered the gun and police entered about 20 seconds later, she said.

Salas, a single mother of four boys, said Rand was among three of her sons who were on campus Thursday.

He graduated from Roseburg High this year and was going to Umpqua Community College to study computer science. He likes to play the flute and guitar.

"He's recovering," Salas said. "He seems to be doing well. He's my quiet boy, so that's a little scary. Obviously, being in that, that can't be a good thing at all."

-- Brad Schmidt

Credtit:http://www.oregonlive.com/

rewritted bollywood

Following India's independence, the amount from the late Forties to the Sixties is regarded by film historians because the "Golden Age" of Hindi cinema. a number of the foremost critically acclaimed Hindi films of all time were made throughout this era. Examples embrace the Guru Dutt films Pyaasa (1957) and Kaagaz Ke Phool (1959) and therefore the rule Kapoor films Awaara (1951), Shree 420 (1955) and Dilip Kumar's Aan (1952). These films expressed social themes chiefly managing working-class urban life in India; Awaara bestowed the town as each a nightmare and a dream, whereas Pyaasa critiqued the unreality of town life. a number of the foremost far-famed epic films of Hindi cinema were conjointly made at the time, as well as Mehboob Khan's Mother Asian country (1957), that was appointed for the honour for Best Foreign Language Film, and K. Asif's Mughal-e-Azam (1960). Madhumati (1958), directed by Bimal Roy and written by Ritwik Ghatak, standardised the theme of reincarnation in Western popular culture. different acclaimed thought Hindi filmmakers at the time enclosed Kamal Amrohi and Vijay Bhatt. sure-fire actors at the time enclosed Dev Anand, Dilip Kumar, rule Kapoor and Guru Dutt, whereas sure-fire actresses enclosed Nargis, Vyjayanthimala, Meena Kumari, Nutan, Madhubala, Waheeda Rehman and malar bone Sinha.

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While commercial Hindi cinema was thriving, the 1950s also saw the emergence of a new Parallel Cinema movement. Though the movement was mainly led by Bengali cinema, it also began gaining prominence in Hindi cinema. Early examples of Hindi films in this movement include Chetan Anand's Neecha Nagar (1946) and Bimal Roy's Do Bigha Zamin (1953). Their critical acclaim, as well as the latter's commercial success, paved the way for Indian neorealism and the Indian New Wave. Some of the internationally acclaimed Hindi filmmakers involved in the movement included Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani, Shyam Benegal and Vijaya Mehta.



Ever since the social realist film Neecha Nagar won the Grand Prize at the primary port festival, Hindi films were ofttimes in competition for the Palme d'Or at the port festival throughout the Fifties and early Nineteen Sixties, with a number of them winning major prizes at the competition. Guru Dutt, whereas unmarked in his own time period, had late generated international recognition abundant later within the Nineteen Eighties. Dutt is currently thought to be one among the best Asian filmmakers of all time, aboard the a lot of noted Indian Bengali film producer Satyajit Ray. The 2002 Sight & Sound critics' and directors' poll of greatest filmmakers hierarchal Dutt at No. seventy three on the list. a number of his films area unit currently enclosed among the best films of all time, with Pyaasa (1957) being featured in Time magazine's "All-TIME" a hundred best movies list, and with each Pyaasa and Kaagaz Ke Phool (1959) tied at No. one hundred sixty within the 2002 Sight & Sound critics' and directors' poll of incomparable greatest films. many alternative Hindi films from this era were additionally hierarchal within the Sight & Sound poll, together with dominion Kapoor's Awaara (1951), Vijay Bhatt's Baiju Bawra (1952), Mehboob Khan's Mother Bharat (1957) and K. Asif's Mughal-e-Azam (1960) all tied at No. 346 on the list.

bollywood

Following India's independence, the period from the late 1940s to the 1960s is regarded by film historians as the "Golden Age" of Hindi cinema.[24][25][26] Some of the most critically acclaimed Hindi films of all time were produced during this period. Examples include the Guru Dutt films Pyaasa (1957) and Kaagaz Ke Phool (1959) and the Raj Kapoor films Awaara (1951), Shree 420 (1955) and Dilip Kumar's Aan (1952). These films expressed social themes mainly dealing with working-class urban life in India; Awaara presented the city as both a nightmare and a dream, while Pyaasa critiqued the unreality of city life. Some of the most famous epic films of Hindi cinema were also produced at the time, including Mehboob Khan's Mother India (1957), which was nominated for the Academy Award for Best Foreign Language Film, and K. Asif's Mughal-e-Azam (1960). Madhumati (1958), directed by Bimal Roy and written by Ritwik Ghatak, popularised the theme of reincarnation in Western popular culture. Other acclaimed mainstream Hindi filmmakers at the time included Kamal Amrohi and Vijay Bhatt. Successful actors at the time included Dev Anand, Dilip Kumar, Raj Kapoor and Guru Dutt, while successful actresses included Nargis, Vyjayanthimala, Meena Kumari, Nutan, Madhubala, Waheeda Rehman and Mala Sinha.

While commercial Hindi cinema was thriving, the 1950s also saw the emergence of a new Parallel Cinema movement. Though the movement was mainly led by Bengali cinema, it also began gaining prominence in Hindi cinema. Early examples of Hindi films in this movement include Chetan Anand's Neecha Nagar (1946) and Bimal Roy's Do Bigha Zamin (1953). Their critical acclaim, as well as the latter's commercial success, paved the way for Indian neorealism and the Indian New Wave. Some of the internationally acclaimed Hindi filmmakers involved in the movement included Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani, Shyam Benegal and Vijaya Mehta.

Ever since the social realist film Neecha Nagar won the Grand Prize at the first Cannes Film Festival, Hindi films were frequently in competition for the Palme d'Or at the Cannes Film Festival throughout the 1950s and early 1960s, with some of them winning major prizes at the festival. Guru Dutt, while overlooked in his own lifetime, had belatedly generated international recognition much later in the 1980s. Dutt is now regarded as one of the greatest Asian filmmakers of all time, alongside the more famous Indian Bengali filmmaker Satyajit Ray. The 2002 Sight & Sound critics' and directors' poll of greatest filmmakers ranked Dutt at No. 73 on the list. Some of his films are now included among the greatest films of all time, with Pyaasa (1957) being featured in Time magazine's "All-TIME" 100 best movies list, and with both Pyaasa and Kaagaz Ke Phool (1959) tied at No. 160 in the 2002 Sight & Sound critics' and directors' poll of all-time greatest films. Several other Hindi films from this era were also ranked in the Sight & Sound poll, including Raj Kapoor's Awaara (1951), Vijay Bhatt's Baiju Bawra (1952), Mehboob Khan's Mother India (1957) and K. Asif's Mughal-e-Azam (1960) all tied at No. 346 on the list.

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Everything About You Is Interesting,

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I Love You My Precious Rose

Phool Khilte Rahn Zndgi Ki Rah Mn,

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